Poe Week: Word Wednesday

Edgar Allan Poe was fond of what we would consider to be obscure vocabulary.  He was highly educated with an enormous vocabulary (compared to modern writers) and knowledge of many languages.  These are just a few of the words he used that nobody seems to use anymore (alas).  Just for fun, try to use one in conversation today!

abeyance - suspension of activity
abstruse - hard to understand
acrid - sharp and unpleasant in scent or flavor
amatory - relating to expressing sexual love
bagatelle - short piano piece
beldame - old woman
cassock - long cloak worn by clergy
charnel - room or building in which bodies are deposited

Poe Week: Poetry Tuesday: "The Raven" by Edgar Allan Poe

Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
`'Tis some visitor,' I muttered, `tapping at my chamber door -
Only this, and nothing more.'

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow - sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels named Lenore -
Nameless here for evermore.

The saintly detective, Father Brown

Imagine you are an average person. (If you are reading this blog you're probably not, but put aside you academia and book-begotten knowledge for a second and pretend.) Say I ask you, "What do you think of G. K. Chesterton?"

You would probably answer: "Who the hell is that? Is he running for the Illinois Senate seat?"

As you are who you are, I'm sure you know what I'm taking about. The genius creator of Father Brown, one of the most adorable and oxymoronic detectives in literature. I feel that Father Brown (and his side-kick Flambeau) are totally under-appreciated in today's society. They may not be able to pull rabbits out of a hat like Sherlock Holmes, or entertain like Hercule Poirot and his precious mustaches, but they are just as intelligent, and, dare I say it, more intellectually provoking. In each Father Brown tale I find a new perspective on society or religion that shakes up my beliefs in the order of the world. Let me just say that for a priest, Father Brown is quite a questioner.  Though his adherence to the Catholic Church can be sometimes frustrating, especially for an atheistic reader, he demonstrates more wisdom and willingness to set aside his vows than any Catholic I have ever met.

Nowadays, readers want to be entertained. No doubt that is why Twilight and Harry Potter are so popular. They are jammed full of juicy romance, danger, magic, and pop culture heroism. Father Brown is devoid of all these things. It is instead painted in the colors of tolerance, patience, obedience, unassuming gentleness, and peacefulness. Chesterton's stories are not so much detective stories as they are tales of human failings and forgiveness. Father Brown is the incarnation of "the forgiveness of sins."

So, I challenge you: read a Father Brown story this week. Don't take it at face value. Question every statement the author makes and ask yourself, "What am I supposed to see here that my comfortable little sensibilities are blocking out? What can I learn from this fascinating old man?" The doddering priest will not let you down.

Ciao!
The Lonely Alchemist

Selection from "The Ghost Pirates" by William Hodgson

1

The Figure Out of the Sea

He began without any circumlocution.

I joined the Mortzestus in 'Frisco. I heard before I signed on, that there were some funny yarns floating round about her; but I was pretty nearly on the beach, and too jolly anxious to get away, to worry about trifles. Besides, by all accounts, she was right enough so far as grub and treatment went. When I asked fellows to give it a name, they generally could not. All they could tell me, was that she was unlucky, and made thundering long passages, and had no more than a fair share of dirty weather. Also, that she had twice had the sticks blown out of her, and her cargo shifted. Besides all these, a heap of other things that might happen to any packet, and would not be comfortable to run into. Still, they were the ordinary things, and I was willing enough to risk them, to get home. All the same, if I had been given the chance,

A tidbit of Jane Austen

No one who had ever seen Catherine Morland in her infancy would have supposed her born to be an heroine. Her situation in life, the character of her father and mother, her own person and disposition, were all equally against her. Her father was a clergyman, without being neglected, or poor, and a very respectable man, though his name was Richard—and he had never been handsome. He had a considerable independence besides two good livings—and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution. She had three sons before Catherine was born; and instead of dying in bringing the latter into the world, as anybody might expect, she still lived on—lived to have six children more—to see them growing up around her, and to enjoy excellent health herself. A family of ten children will be always called a fine family, where there are heads and arms and legs enough for the number; but the Morlands had little other right to the word, for they were in general very plain, and Catherine, for many years of her life, as plain as any. She had a thin awkward figure, a sallow skin without colour, dark lank hair, and strong features—so much for her person; and not less unpropitious for heroism seemed her mind. She was fond of all boy's plays, and greatly preferred cricket not merely to dolls, but to the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush. Indeed she had no taste for a garden; and if she gathered flowers at all, it was chiefly for the pleasure of mischief—at least so it was conjectured from her always preferring those which she was forbidden to take. Such were her propensities—her abilities were quite as extraordinary.

A selection from "The History of Don Quixote" by Miguel de Cervantes

In a village of La Mancha, the name of which I have no desire to call to mind, there lived not long since one of those gentlemen that keep a lance in the lance-rack, an old buckler, a lean hack, and a greyhound for coursing. An olla of rather more beef than mutton, a salad on most nights, scraps on Saturdays, lentils on Fridays, and a pigeon or so extra on Sundays, made away with three-quarters of his income. The rest of it went in a doublet of fine cloth and velvet breeches and shoes to match for holidays, while on week-days he made a brave figure in his best homespun. He had in his house a housekeeper past forty, a niece under twenty, and a lad for the field and market-place, who used to saddle the hack as well as handle the bill-hook. The age of this gentleman of ours was bordering on fifty; he was of a hardy habit, spare, gaunt-featured, a very early riser and a great sportsman. They will have it his surname was Quixada or Quesada (for here there is some difference of opinion among the authors who write on the subject), although from reasonable conjectures it seems plain that he was called Quexana. This, however, is of but little importance to our tale; it will be enough not to stray a hair's breadth from the truth in the telling of it.

A Selection from "The Shunned House" by H. P. Lovecraft

From even the greatest of horrors irony is seldom absent. Sometimes it enters directly into the composition of the events, while sometimes it relates only to their fortuitous position among persons and places. The latter sort is splendidly exemplified by a case in the ancient city of Providence, where in the late forties Edgar Allan Poe used to sojourn often during his unsuccessful wooing of the gifted poetess, Mrs. Whitman. Poe generally stopped at the Mansion House in Benefit Street—the renamed Golden Ball Inn whose roof has sheltered Washington, Jefferson, and Lafayette—and his favorite walk led northward along the same street to Mrs. Whitman's home and the neighboring hillside churchyard of St. John's, whose hidden expanse of Eighteenth Century gravestones had for him a peculiar fascination.

Now the irony is this. In this walk, so many times repeated, the world's greatest master of the terrible and the bizarre was obliged to pass a particular house on the eastern side of the street; a dingy, antiquated structure perched on the abruptly rising side hill, with a great unkempt yard dating from a time when the region was partly open country. It does not appear that he ever wrote or spoke of it, nor is there any evidence that he even noticed it. And yet that house, to the two persons in possession of certain information, equals or outranks in horror the wildest fantasy of the genius who so often passed it unknowingly, and stands starkly leering as a symbol of all that is unutterably hideous.

A selection from the Gothic romance "The Monk" by M. G. Lewis

CHAPTER I

——Lord Angelo is precise;
Stands at a guard with envy; Scarce confesses
That his blood flows, or that his appetite
Is more to bread than stone.
Measure for Measure.

Scarcely had the Abbey Bell tolled for five minutes, and already was the Church of the Capuchins thronged with Auditors. Do not encourage the idea that the Crowd was assembled either from motives of piety or thirst of information. But very few were influenced by those reasons; and in a city where superstition reigns with such despotic sway as in Madrid, to seek for true devotion would be a fruitless attempt. The Audience now assembled in the Capuchin Church was collected by various causes, but all of them were foreign to the ostensible motive. The Women came to show themselves, the Men to see the Women: Some were attracted by curiosity to hear an Orator so celebrated; Some came because they had no better means of employing their time till the play began; Some, from being assured that it would be impossible to find places in the Church; and one half of Madrid was brought thither by expecting to meet the other half. The only persons truly anxious to hear the Preacher were a few antiquated devotees, and half a dozen rival Orators, determined to find fault with and ridicule the discourse. As to the remainder of the Audience, the Sermon might have been omitted altogether, certainly without their being disappointed, and very probably without their perceiving the omission.

A Gothic Tidbit

The following is from "The Mysteries of Udolpho," a Gothic novel by Ann Radcliffe. You can read the whole novel for free here.

She gazed at him for a moment in speechless affright, while he, throwing himself on his knee at the bed-side, besought her to fear nothing, and, having thrown down his sword, would have taken her hand, when the faculties, that terror had suspended, suddenly returned, and she sprung from the bed, in the dress, which surely a kind of prophetic apprehension had prevented her, on this night, from throwing aside.

Morano rose, followed her to the door, through which he had entered, and caught her hand, as she reached the top of the stair-case, but not before she had discovered, by the gleam of a lamp, another man half-way down the steps.